Iran Saye Theatre seminar: A Critical Examination of Today Iran Alternative Theatre and Politics

Iran Saye Theatre holds a thought-provoking seminar exploring the intersection of today Iran alternative theatre and politics. ( June 29th – July 4th 2024)

Through a series of presentations, discussions, and analyses, we’ll delve into the ways in which performance can challenge dominant narratives, expose hidden truths, and ignite social change. From the underground theatre movements of Iran and Japan to the innovative strategies of “disturbing theatre,” we’ll explore how performance can act as a powerful tool for resistance, questioning, and ultimately, transformation. This seminar is for anyone interested in the role of art in shaping our world, the potential of theatre as a catalyst for change, and the power of performance to challenge the status quo. Join us for a journey beyond the stage, where theatre becomes a platform for critical reflection and active engagement. the topics are listed below

Performance as a political fantasy: How can performance reveal the fakeness of the constructed reality created by ideological governments for a moment?

Alternative theater on the path of criticizing hegemony(s): How does alternative art position itself within the existing political landscape and what affirmative strategies does it employ in this regard?

An essay on a complicated confused theatre:  Is the history of Iranian theater a series of individual events or is it a continuous accumulation of gaps?

Theater of the world and Iran in its underground/alternative/unofficial/independent meaning: An overview of independent theatre; from Constitutionalization attempts in Iran up until now

Angora: Japan’s Underground Theatre: What is Angora and how does it affect Japan’s today theatre?

Disturbation art: A disturbing theatre. How does disturbation seek the salvation of the audience from evil, and what is the mechanism of a disturbing theatre?

Political Economy and Unconventional Theatre: Can theatre be considered a commodity? How does the economic framework of unconventional theatre function?